|
THE |
33 |
15 |
|
5 |
TEARS |
63 |
36 |
|
|
OF |
21 |
12 |
|
|
QUETZALCOATL |
153 |
45 |
|
22 |
- |
270 |
108 |
27 |
2+2 |
- |
2+7+0 |
1+0+8 |
2+7 |
4 |
- |
9 |
9 |
9 |
26 |
|
|
|
|
|
|
|
|
I |
|
|
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R |
|
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|
|
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|
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|
8 |
9 |
|
|
|
|
5 |
6 |
|
|
|
1 |
|
|
|
|
6 |
|
8 |
+ |
= |
|
4+3 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
14 |
15 |
|
|
|
19 |
|
|
|
|
24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
= |
|
= |
|
26 |
|
|
|
|
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|
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|
I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
= |
|
26 |
|
|
|
|
|
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|
I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
= |
|
= |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
= |
|
= |
|
26 |
|
|
|
|
|
|
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R |
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1 |
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1 |
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|
1 |
|
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+ |
= |
|
occurs |
x |
3 |
= |
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2 |
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|
2 |
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2 |
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+ |
= |
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occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
|
occurs |
x |
3 |
= |
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|
4 |
|
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|
4 |
|
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|
4 |
|
|
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+ |
= |
|
occurs |
x |
3 |
= |
|
1+2 |
|
|
|
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|
5 |
|
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|
5 |
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|
5 |
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+5 |
|
|
|
|
|
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|
6 |
|
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|
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|
6 |
|
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|
6 |
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+8 |
|
|
|
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|
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|
7 |
|
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7 |
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7 |
|
+ |
= |
|
occurs |
x |
3 |
= |
|
2+1 |
|
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8 |
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8 |
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8 |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
|
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|
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|
9 |
|
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|
9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
|
|
|
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I |
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R |
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4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
|
|
|
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I |
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R |
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|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
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26 |
|
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I |
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R |
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A |
|
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|
S |
|
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|
|
|
1 |
- |
1 |
- |
1 |
|
|
|
- |
|
|
A |
|
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|
S |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
B |
|
|
|
T |
|
|
|
|
|
|
2 |
- |
2 |
- |
2 |
|
|
|
- |
|
|
B |
|
|
|
T |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
C |
|
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|
U |
|
|
|
|
|
|
3 |
- |
3 |
- |
3 |
|
|
|
- |
|
|
C |
|
|
|
U |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
D |
|
|
|
V |
|
|
|
|
|
|
4 |
- |
4 |
- |
4 |
|
|
|
1+2 |
|
|
D |
|
|
|
V |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
E |
|
|
|
W |
|
|
|
|
|
|
5 |
- |
5 |
- |
5 |
|
|
|
1+5 |
|
|
E |
|
|
|
W |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
F |
|
|
|
X |
|
|
|
|
|
|
6 |
- |
6 |
- |
6 |
|
|
|
1+8 |
|
|
F |
|
|
|
X |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
G |
|
|
|
Y |
|
|
|
|
|
|
7 |
- |
7 |
- |
7 |
|
|
|
2+1 |
|
|
G |
|
|
|
Y |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
H |
|
|
|
Z |
|
|
|
|
|
|
8 |
- |
8 |
- |
8 |
|
|
|
2+4 |
|
|
H |
|
|
|
Z |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
I |
|
|
|
- |
|
|
|
|
|
|
9 |
- |
9 |
- |
- |
|
|
|
1+8 |
|
|
I |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
126 |
|
|
|
- |
|
|
|
- |
|
|
1+2+6 |
|
|
5+4 |
|
|
|
|
|
|
|
9 |
|
|
|
3 |
3 |
- |
- |
A+B+C |
6 |
6 |
6 |
2 |
- |
- |
2 |
D+E |
9 |
9 |
9 |
3 |
3 |
- |
- |
F+G+H |
21 |
21 |
3 |
1 |
- |
|
1 |
I |
9 |
9 |
9 |
3 |
3 |
- |
- |
J+K+L |
33 |
6 |
6 |
2 |
- |
- |
2 |
M+N |
27 |
9 |
9 |
2 |
2 |
- |
- |
O+P |
31 |
13 |
4 |
3 |
|
- |
3 |
Q+R+S |
54 |
18 |
9 |
3 |
- |
- |
3 |
T+U+V |
63 |
9 |
9 |
3 |
|
- |
3 |
W+X+Y |
72 |
18 |
9 |
1 |
1 |
- |
- |
Z |
26 |
8 |
8 |
26 |
12 |
|
14 |
Add to Reduce |
351 |
126 |
81 |
2+6 |
1+2 |
- |
1+4 |
Reduce to Deduce |
3+5+1 |
1+2+6 |
8+1 |
8 |
3 |
- |
5 |
Essence of Number |
9 |
9 |
9 |
3 |
A+B+C |
6 |
6 |
6 |
- |
D+E |
- |
- |
- |
3 |
F+G+H |
21 |
21 |
3 |
- |
I |
- |
- |
- |
3 |
J+K+L |
33 |
6 |
6 |
- |
M+N |
- |
- |
- |
2 |
O+P |
31 |
13 |
4 |
- |
Q+R+S |
- |
- |
- |
- |
T+U+V |
- |
- |
- |
- |
W+X+Y |
- |
- |
- |
1 |
Z |
26 |
8 |
8 |
12 |
Add to Reduce |
117 |
54 |
27 |
2+6 |
Reduce to Deduce |
1+1+7 |
5+4 |
2+7 |
8 |
Essence of Number |
9 |
9 |
9 |
- |
A+B+C |
- |
- |
- |
2 |
D+E |
9 |
9 |
9 |
- |
F+G+H |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
J+K+L |
- |
- |
- |
2 |
M+N |
27 |
9 |
9 |
- |
O+P |
- |
- |
- |
3 |
Q+R+S |
54 |
18 |
9 |
3 |
T+U+V |
63 |
9 |
9 |
3 |
W+X+Y |
72 |
18 |
9 |
- |
Z |
- |
- |
- |
14 |
Add to Reduce |
234 |
72 |
54 |
1+4 |
Reduce to Deduce |
2+3+4 |
7+2 |
5+4 |
5 |
Essence of Number |
9 |
9 |
9 |
3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
7 |
MESSAGE |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
3 |
S+A+G |
27 |
18 |
9 |
1 |
E |
5 |
5 |
5 |
7 |
MESSAGE |
69 |
42 |
24 |
14 |
Add |
162 |
81 |
36 |
1+4 |
Reduce |
1+6+2 |
8+1 |
3+6 |
5 |
Deduce |
9 |
9 |
9 |
A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
A |
B |
C |
D |
E |
F |
G |
H |
I |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNA DNA AND DNA DNA AND DNA
DNA AND DNA DNA AND DNA DNA AND DNA
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
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FINGER PRINTS OF THE
GODS
Graham Hancock 1995
Page 153
Adventures
in the Underworld, Journeys to the Stars
"In Egypt's
early dynastic period more than 4500 years ago, an
'Ennead'
of nine omnipotent
deities was particularly adored by
the priesthood
at Heliopolis.5
Likewise in Central America, both the Aztecs
and the Mayas
believed in an all-powerful system of nine
deities"
"The majority of the traditions
of the God-King Quetzalcoatl,
as we have seen, focus on his deeds and teaching as
a civilizer. His followers in ancient Mexico, however,
also believed that his
human manifestation had experienced death and that
afterwards he was reborn as a star.9"
INTERNET SITE
http://theosophy.org/tlodocs/teachers/Quetzalcoatl.htm
QUETZALCOATL
"What
does your mind seek?
Where is your heart?
If you give your heart to each and every thing,
You lead it nowhere: you destroy your heart.
Can anything he found on earth?
Beyond is the place
where one lives.
I would he lying to myself were Ito say:
"Perhaps everything ends on this earth;
Here do our lives end."
No, O Lord of the
Close Vicinity,
It is beyond, with those who dwell in Your house,
That I will sing songs to You, in the innermost of
heaven.
My heart rises;
I fix my eyes upon You,
Next to You, beside You,
O Giver of Life.
Cantares Mexicanos
"No one outside the adyta of initiation
can know the ultimate origins of American
Indian spirituality, and only a few
have penetrated the veil of metaphor and symbol constituting
the core of Nahuatl
literature. No one knows how many, if any, of those
who still speak the Nahuatl
tongue, spoken by the Aztecs
before them and already richly developed
in the time of the earliest Toltecs,
really fathom the inner meaning of its startling profusion
of juxtaposed images, symbolic descriptions and ethereal
allusions. The Nahuatl
mind found truth only in "flowers and songs",
in intuitive apprehension, and entirely dispensed
with delusive dichotomies and mechanistic categories.
Only the barest lineaments of the history of the Aztecs,
latest of the major pre-Columbian civilizations in
Meso-America,
are known. The peoples before them are immersed in
an obscurity dimly illuminated here and there by legend
and archaeological discovery. Ancient
Mexico and the lands immediately south
of it are, as H.P. Blavatsky
said, "a land of mystery". Yet within that
lost continent is to be found Quetzalcoatl,
one of the iridescent spiritual impulses
of poorly recorded history. Quetzalcoatl
emblazoned a trail through human thought and culture
that could not be effaced by the indifference of the
rapacious conquistador and the ruthless zeal of the
Inquisition."
|
QUETZALCOATL |
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45 |
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CHOLULA |
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27 |
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TEOTIHUACAN |
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TEOTIHUACAN |
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H+U+A |
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30 |
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C+A+N |
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9 |
|
11 |
TEOTIHUACAN |
117 |
63 |
27 |
2+2 |
- |
1+1+7 |
6+3 |
2+7 |
4 |
|
9 |
9 |
9 |
"The earliest American
high culture known to history was that developed by
the Toltecs,
whose name in Nahuatl
means 'master craftsmen'. They built the great city
of Tollan,
a sacred precinct laid out to mirror and intimate
the mysteries of existence. Tollan,
literally 'metropolis', became the prototype of later
cities which bore its name as well as specific names
of their own. Tollan
was the magnificent Teotihuacan
which was recognized as the source of Nahuatl
civilization, and Quetzalcoatl
was the spiritual source of the earthly Tollan.
Like Osiris in Egypt,
Quetzalcoatl was a divine king who taught all the
arts and sciences. Like Prometheus, he gave mankind
sacred keys to wisdom. He is the spiritual progenitor
of the tlamatinime, the wise men who were the priests
and preservers of divine knowledge.
The
wise maintain a light, a torch, a stout torch
that does not smoke;
A perforated mirror, a mirror pierced on both sides.
His are the black and red ink, his are the illustrated
manuscripts. . . .
He himself is writing and wisdom.
He is the path, the true way for others.
Codice Matritense
The priest
who through purity and insight emerged foremost amongst
his peers was given the name Quetzalcoatl, reminiscent
of the Egyptian Initiate who earned the epithet Hermes
Trismegistus. He is a mirror of the world and of the
Divine, "pierced on both sides", so that
the transcendent shines forth upon the world and man
sees beyond the immanent through the wise man. The
tlamatini mirrors the primordial and aeviternal activity
of Quetzalcoatl, the divine sage, high priest and
inner being of humanity.
Quetzalcoatl's
ineluctably numinous nature, a mystery impenetrable
to theological and mythological analysis, abides in
his role as the bridge
between ontological levels and between pairs of opposites
within each level. The duality essential
to manifestation is constrained by and unified in
Quetzalcoatl.
Thus, to explain the intertwined and enigmatic functions
of this man-god, mythographers have been compelled
to import the Sanskrit
concept of avatara.
Surviving fragments of myth, legend and history provide
a tantalizingly incomplete mosaic of a priest-king
and spiritual principle omnipresent in Nahuatl thought
and life. Accounts of his functions and activities
seem confused and contradictory, most likely because
the keys to levels of interpretation perished with
the silent tlamatinime. Nonetheless, Quetzalcoatl,
believed to have incarnated as a righteous priest-king
in Tollan,
was first a metaphysical principle involved in the
primordial creative emanation of the world. Ometeotl
is the great god who abides forever
in the twelfth and thirteenth heavens. In the highest
realm, he alone is unaffected by the emergence and
dissolution of the cosmos. In the twelfth heaven,
Omeyocan (the Realm
of Duality), he is "Our Mother and Our Father,
Ometeotl-Omecihuatl, who is Dual Lord and Dual Lady",
the first cause.
Our
Lord, Lord of the Ring,
Self-engendered, self-willing, self-enjoying;
Even as He wills, so shall He desire that
it shall be.
The appearance and passing of worlds
is the work of hierarchies of divine beings who operate
in strict obedience to the universal law, the will
of Ometeotl.
Yet he also dwells in the centre of the cosmos and
on every plane of being as Xiuhtecuhtli,
the Lord of Fire and Time.
As Mother-Father,
the Dual Lord confirms the connection of a soul to
the body engendered by conception. In this role, he
sits on high with his consort, his feminine self,
and Quetzalcoatl sits between them, for Quetzalcoatl
creates the connection willed by Ometeotl. As Ometeotl
is the heart of manifestation, Quetzalcoatl is the
heart of the dual Ometeotl. Within
the vast unfoldment of cosmos,
the world has emerged five times through five
rebirths of the sun. Whilst some say the fifth sun
is the last, others suggest that there will be seven
suns, and still others hint at the possibility of
twelve suns. Each sun has come into existence through
the sacrifice of a god, just as Ometeotl
must sacrifice his utter transcendence to become the
dual first cause. Tezcatlipoca,
son of Ometeotl, sacrificed
himself in the cosmic fire so that the Sun of Night
and of Earth might arise. Represented by the jaguar
or tiger, the raw forces of this world were sterile
from an evolutionary standpoint and therefore perished.
Quetzalcoatl sacrificed
himself to produce the second world, the Sun of Air,
but its purely spiritual powers could not sustain
form. Creatures of this world who corresponded to
human beings in the world of the fifth sun became
monkeys. Tlaloc,
Lord of Rain, immolated himself in the cosmic fire
to give birth to the Sun of Rain and Fire, but the
volcanic intensity of this world allowed only birds
to survive, though during its existence the prototype
of maize was grown. Chalchiuhtlicue,
life-giving goddess of waters, offered herself so
that the fourth Sun of Waters might appear. Whilst
men consumed the acicintli seed, it could not grow
in water alone, and the world perished in a universal
deluge.
Two gods volunteered themselves in
the fiery sacrifice to create the fifth sun. The divine
hearth was constructed at Teotihuacan,
the centre of what would be the fifth world. After
suitable ritual preparations were made and the gods
had purified themselves, the moment came to approach
the fire. Tecuciztecatl,
Lord of the Snails, who had arrogantly claimed primacy,
could not muster the courage to enter the cosmic fire.
Nanahuatzin or Nanahuatl,
the god whose form is diseased, who therefore understood
the pain of limitation and imperfection, stepped forward
and threw himself on the pyre. Shamed by such detachment,
Tecuciztecatl
followed him as the moon (which Tecuciztecatl
became) follows the sun. The sun did not rise immediately,
however, and the gods became anxious in the oppressive
darkness. Quetzalcoatl,
however, divined the locus of the sunrise and proceeded
to the east. There he welcomed the rising sun as Lord
of the Dawn and, when the sun wobbled uncertainly
on its rising course, steadied it as god of wind.
Thus, the fifth sun is called Nahui
Ollin, Four Movement, Naollin,
the synthesis of the four elements through dynamic
interaction, the Sun
of Quetzalcoatl,
who as movement is the active ingredient of
the ever-changing balance which sustains – and
is – life. Its symbol is the human face, the
countenance signifying life and intelligence, self-conscious
will or choice in the service of unalterable cosmic
law, that mystic promise of immortality within necessary
dissolution that alone can mirror unmanifest eternity.
Its glyph includes the four transient elements and
three aspects of divine creativity, arranged as a
quincunx that points to both the Fourth Round and
Fifth Root Race.
In his Promethean
aspect Quetzalcoatl
is involved in the creation of human
beings and in inspiring them with intelligence. Before
Naollin's roseate splendour
had burst into full day and brought the present world
to light, Quetzalcoatl
had to descend into the realm of the dead, Mictlan,
to secure the precious bones of man so that humans
might again inhabit the earth. In Mictlan,
the realm of the fleshless, he confronted Mictlantecuhtli
and Mictlancihuatl, Lord and Lady of the Land of the
Dead, the
'masks' or reflections of Ometeotl
and Omecihuatl
in the lowest sphere of duality, beyond which is unknowable
darkness, just as there is the Unknown above Omeyocan,
the highest heaven. When Quetzalcoatl
demanded the bones, Mictlantecuhtli
offered them on condition that Quetzalcoatl
sound the conch-shell and circle the kingdom four
times. Whilst this seemed to be a genuine challenge,
the shell had no sounding-hole and was ever mute.
Quetzalcoatl
called upon the worms to pierce the shell, and bees
entered through the hole and made it sound. Whilst
appearing to yield possession of the bones, Mictlantecuhtli
called upon the forces of the underworld to
prevent Quetzalcoatl
from fulfilling his charge. Mirroring this deception,
Quetzalcoatl sent his
double, nahualli, who
is Xolotl, his twin and
another aspect of himself, to inform the Lord
of the Dead that the bones would be left in
Mictlan. Even whilst
this message was being delivered,
Quetzalcoatl gathered
the bones of Man and Woman and fled.
The
forces of the underworld did not pursue Quetzalcoatl
directly; they had prepared a trap. Quetzalcoatl fell
into the trap and lost consciousness for a time. When
he recovered, he found the bones damaged and in disarray.
Crying out to his nahualli, he asked, "What shall
I do now?" His twin gave the pre-ordained response:
"Since things have turned out badly, let them
turn out as they may."
And
as soon as he arrived, the woman called Quilaztli,
who is Cihuacoatl, took them to grind and put them
in a precious vessel of clay. Upon them Quetzalcoatl
bled his member. The other gods and Quetzalcoatl himself
did penance. And they said, "People have been
born, O gods, the macehuales – those
'deserved' into life through penance." Because
for our sake, the gods did penance!
Manuscript
of 1558
Within this mysterious allegory one
can see the failure of nature alone to produce intelligent
men, the gathering of the lower vestures and their
animation with the breath of life within the body
of clay, as well as the penitential self-sacrifice
of the gods, represented by the seminal blood and
signifying the incarnation of the spiritual and divine
within the prepared living human form. Once this complex
process was completed, Quetzalcoatl
stole maize, the proper food of self-consciously intelligent
beings, and gave it to humanity.
Under Naollin,
the fifth sun, Quetzalcoatl
is the dynamic order of Nature, the
homoeostasis in which humanity can flourish. Celestially,
he guards the Milky Way, 'the Luminous Petticoat of
Stars'. Tezcatlipoca,
son of Ometeotl,
became the four Tezcatlipocas
who guard the four quarters of the world.
In the west this fourfold hypostasis is Quetzalcoatl,
whilst in the east he is the
red Tezcatlipoca, the two constituting the
tension between birth and death, which is also death
in this world of change and birth into the Divine
Darkness. The red Tezcatlipoca
is also Xolotl, the twin of
Quetzalcoatl, the other half of one ceaseless activity.
In the atmosphere which blankets the fertile earth,
Quetzalcoatl
is the wind and the water it bears in the air. He
is also lightning, sudden illuminator of darkness,
who, like an ambassador, precedes Tlaloc, the god
of rain. His multivalent functions are intimated in
the deliberate ambiguity of his name: Quetzalcoatl
is derived from quetzal,
'feathered' or 'precious', and coati, 'serpent' or
'twin'. Thus he is both the Plumed
Serpent and the Precious
Twin.
In tlalticpac,
the dream world which is earth, Quetzalcoatl is the
divine king who, like Osiris, the second divine pharaoh
of Egypt, brought civilization to humanity.
As the divine ruler in Tollan,
he taught all the arts and sciences, from cultivation
of maize to metallurgy and from astrology to poetry,
as well as the sacred
tlilli tlapalli, red and black ink,
that is, writing and, by extension, wisdom. During
the golden age he dwelt in his invisible form, guiding
and governing in a kingdom of innocent joy. Yet the
forces of limitation, shadows in this realm of light,
plotted Quetzalcoatl's downfall. Tezcatlipoca
took a mirror and invited Quetzalcoatl
to gaze into it. To his horror, he thereby gained
a body, rather like Anthropos,
and seeing himself reflected in the mirror of inchoate
Nature, became one with it, according to the Hermetic
tradition. In his confusion he allowed a mask and
feathered head-dress to be made for him, so that people
might look upon him without fear. Whilst he was disoriented,
demons made pulque, a fermented drink from sap of
the maguey, and gave it to Quetzalcoatl.
Thus intoxicated, he took Quetzalpetatl,
his feminine aspect from which he now felt alienated,
and slept with her, falling afterwards into a stupor.
As the archetype of humanity, his deeds brought pain
and suffering to humanity – the pain of having
a body, the suffering of loneliness, the disharmonies
of striving, contention, fear and guilt, which pit
person against person and turn the powers of human
consciousness into instruments of selfishness and
its inevitable offspring, conflict and greed.
In the morning Quetzalcoatl
awoke filled with grief and remorse.
As god, he knew the unavoidable problems of incarnation,
but as king, he saw the massive failure of civilization.
Between potentiality and actualization fell the dread
shadow of self-induced ignorance. Within the architectonics
of human life, the problems of creating man had been
wholly reflected, and thus Quetzalcoatl's
earthly work was completed. He resolved
to leave his beautiful Tollan
and set out with his closest devotees.
He journeyed throughout his kingdom, leaving at different
sites marks of his presence – a sacred footprint
here, a raised stone there – and stripped himself
of his arts and powers as he went so that these might
remain with humanity in his absence. He ordered
a stone casket to be made, and when it was finished
he lay in it for four days so that his most precious
secrets might be absorbed into it. When he was ready,
he ordered the stone box sealed up to prevent theft
or contamination of its contents. Only
those who have redeemed Quetzalcoatl's wisdom through
severe penance and self-sacrifice can hope to know
the contents of that mystic sarcophagus now secreted
in the human breast, in the place of purity where
Quetzalcoatl was accustomed to bathing.
All work finished,
Quetzalcoatl went to the sea.
When he reached the
holy sea
And the shore of the luminous ocean,
He stayed his steps and wept.
He gathered his garments together
And dressed himself again
In his robes of quetzal feathers
And his turquoise mask.
Annals of Cuauhtitlan
There at Tlillin Tlapallin,
the place of burning, he built a huge pyre, mounted
it and set it aflame. His ashes rose into the air
and the rarest birds of the earth appeared. As the
red flames lit up the celestial vault, Quetzalcoatl
became again the Lord of the Dawn.
When the ashes had
ceased to burn,
Quetzalcoatl's heart rose up.
They say it was raised to heaven
And entered there.
Wise men say it became
The morning star, appearing at dawn,
And they add that it was not seen
For four days after his death,
Whilst he had sojourned in the Kingdom of Death.
And in these four days, he gathered arrows,
And eight days later, he appeared again
As the great star.
Since then he has sat enthroned.
"The heart of
Quetzalcoatl became Venus,
the morning star which promises first the dawn, then
the rising sun itself."
|
QUETZALCOATL |
153 |
45 |
|
|
VENUS |
81 |
27 |
|
2 |
V+E |
27 |
9 |
|
|
S+U+N |
54 |
18 |
|
|
VENUS |
81 |
27 |
|
- |
- |
8+1 |
2+7 |
1+8 |
5 |
VENUS |
9 |
9 |
9 |
10 |
OSIRISISIS |
145 |
55 |
1 |
|
HORUS |
81 |
27 |
|
|
VENUS |
81 |
18 |
9 |
2 |
SUN |
54 |
9 |
|
|
JUPITER |
99 |
36 |
|
|
ORIONIS |
99 |
45 |
9 |
|
SAGITTARIUS |
144 |
45 |
|
GOD OF NAMES 99 NAMES
OF GOD
|
QUETZALCOATL |
153 |
45 |
|
13 |
SETI-MER-EN-PTAH |
153 |
72 |
9 |
14 |
PHARAOH
+ PYRAMID |
153 |
81 |
9 |
14 |
ALBERT
+ EINSTEIN |
153 |
63 |
9 |
HOW MANY FISH
RISHI RISHI HOW MANY
FISH
?
153
ALL
12
INCHES LONG SAID RISHI
CLAPPING A HAND
ONE FOR EACH
DISCIPLE
THE EGYPTIAN HEAVEN
AND HELL
E. E. Wallis Budge 1857-1934
Page 59
"CHAPTER
OF COMING FORTH BY DAY AND OF MAKING A WAY THROUGH
THE AMMEHET."
"SETI
MER EN PTAH"
13 |
SETI-MER-EN-PTAH |
153 |
72 |
9 |
|
ALIVE+DEAD |
63 |
36 |
|
11 |
DYING+RISING |
135 |
72 |
|
11 |
LIGHT+DARK |
90 |
45 |
|
16 |
POSITIVE+NEGATIVE |
198 |
81 |
9 |
10 |
MIND+MATTER |
117 |
45 |
9 |
13 |
MAGNETIC+FIELD |
1O8 |
45 |
9 |
9 |
ATOMS
+MIND |
108 |
36 |
9 |
|
KNOW |
63 |
18 |
|
|
REAL |
36 |
18 |
|
|
REALITY |
90 |
36 |
|
4 |
GODS |
45 |
18 |
9 |
|
LOVE |
54 |
18 |
|
|
DIVINE |
63 |
36 |
|
|
THOUGHT |
99 |
36 |
|
GODS
JUDGEMENT GODS
DIVINE
LAW ISISISISISIS LAW DIVINE
|
THE
HOLY WORD |
81 |
27 |
|
3 |
THE |
33 |
15 |
|
|
HOLY |
60 |
24 |
|
|
WORD |
60 |
24 |
|
|
HOLY
THE WORD |
153 |
63 |
|
1+1 |
- |
1+5+3 |
6+3 |
- |
2 |
THE
HOLY WORD |
9 |
9 |
9 |
WHATEVER THOU SOWETH THOU
REAPEST
THE TIMES
Monday September
12 2005
Advert opposite
Page 16
"GLOBAL
WARNING"
GLOBALWARNINGGLOBALWARMINGGLOBALWARMINGGLOBALWARNING
DAILY STAR
Front Page Headlines
Monday, September 12, 2005
"999
PANIC
The Winnowing - Wikipedia
en.wikipedia.org › wiki › The_Winnowing
"The Winnowing" is a science fiction short story by American writer Isaac Asimov. The story was written at the request of William Levinson, editor of the US ...
"The Winnowing" is a science fiction short story by American writer Isaac Asimov. The story was written at the request of William Levinson, editor of the US publication Physician's World, but when the latter ceased publication, the story was returned to the author, who then sold it to Analog. It appeared in the February 1976 edition.
Plot summary?[edit]
In the year 2005, the world's population of six billion is suffering from acute famine. The World Food Organization decides on desperate measures to decrease the population by a process of triage. They propose to do this by adding selective poisons to certain food shipments to grossly over-populated areas.
They attempt to blackmail biochemist Dr. Aaron Rodman into cooperating with their scheme (threatening to withhold food rations from his daughter's family if he doesn't comply), proposing to utilise his development of LP - a lipoprotein which when incorporated into foods will cause random deaths.
The scheme is planned but Rodman is unwilling to go along with it. At a meeting between him and senior government officials and members of the World Food Council, he provides sandwiches laced with the LP as refreshment, so that they will die at random, just as they had planned for so many others. He carefully matches the LP in the sandwiches (which he also eats) to his own metabolism, so that he will die quickly and not be guilty of involvement in the scheme.
Winnowing - Wikipedia
en.wikipedia.org › wiki › Winnowing
Winnowing is a process by which chaff is separated from grain. It can also be used to remove pests from stored grain. Winnowing usually follows threshing in ...This article is about the agricultural method. For other uses, see Winnow (algorithm) and Winnowing (disambiguation).
Not to be confused with Windrowing.
Winnowing is a process by which chaff is separated from grain. It can also be used to remove pests from stored grain. Winnowing usually follows threshing in grain preparation. In its simplest form, it involves throwing the mixture into the air so that the wind blows away the lighter chaff, while the heavier grains fall back down for recovery. Techniques included using a winnowing fan (a shaped basket shaken to raise the chaff) or using a tool (a winnowing fork or shovel) on a pile of harvested grain"
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
- |
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|
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18 |
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THE WINNOWING |
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5 x 6 = 30
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 6 = 30
- |
- |
- |
- |
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THE WINNOWING |
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3 |
1 |
5 |
- |
- |
- |
- |
N |
= |
5 |
7 |
1 |
N |
14 |
5 |
5 |
- |
1 |
- |
3 |
1 |
5 |
- |
- |
- |
- |
W |
= |
5 |
9 |
1 |
W |
23 |
5 |
5 |
- |
1 |
- |
3 |
1 |
5 |
- |
- |
- |
- |
N |
= |
5 |
11 |
1 |
N |
14 |
5 |
5 |
- |
1 |
- |
3 |
1 |
5 |
- |
- |
- |
- |
O |
= |
6 |
8 |
1 |
O |
15 |
6 |
6 |
- |
1 |
- |
3 |
1 |
- |
6 |
- |
- |
- |
G |
= |
7 |
12 |
1 |
G |
7 |
7 |
7 |
- |
1 |
- |
3 |
1 |
- |
- |
7 |
- |
- |
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
8 |
- |
1 |
- |
3 |
4 |
- |
- |
- |
8 |
- |
I |
= |
9 |
5 |
1 |
I |
9 |
9 |
9 |
- |
1 |
- |
3 |
4 |
- |
- |
- |
- |
9 |
I |
= |
9 |
10 |
1 |
I |
9 |
9 |
9 |
- |
1 |
- |
3 |
1 |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
30 |
|
|
|
18 |
- |
- |
- |
- |
- |
THE WINNOWING |
- |
- |
- |
- |
- |
- |
- |
- |
3+0 |
- |
- |
- |
1+8 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
- |
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
9 |
WINNOWING |
128 |
56 |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
12 |
THE WINNOWING |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+2 |
- |
1+6+1 |
7+1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
|
THE WINNOWING |
|
|
|
- |
|
|
|
|
|
|
|
|
|
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
Jeremiah 15:7
Verse Concepts
“I will winnow them with a winnowing fork
At the gates of the land;
I will bereave them of children, I will destroy My people;
They did not repent of their ways.
Matthew 3:12
His winnowing fork is in His hand, and He will thoroughly clear His threshing floor; and He will gather His wheat into the barn, but He will burn up the chaff with unquenchable fire.”
Luke 3:17
His winnowing fork is in His hand to thoroughly clear His threshing floor, and to gather the wheat into His barn; but He will burn up the chaff with unquenchable fire.”
Proverbs 20:8
A king who sits on the throne of justice
Disperses all evil with his eyes.
Isaiah 41:16
“You will winnow them, and the wind will carry them away,
And the storm will scatter them;
But you will rejoice in the Lord,
You will glory in the Holy One of Israel.
8 Bible Verses about Winnowing
Most Relevant Verses
Ruth 3:2
Now is not Boaz our kinsman, with whose maids you were? Behold, he winnows barley at the threshing floor tonight.
Jeremiah 4:11
In that time it will be said to this people and to Jerusalem, “A scorching wind from the bare heights in the wilderness in the direction of the daughter of My people—not to winnow and not to cleanse,
Jeremiah 51:2
“I will dispatch foreigners to Babylon that they may winnow her
And may devastate her land;
For on every side they will be opposed to her
In the day of her calamity.
What is CORN in the King James Bible? - Christian Answers
christiananswers.net › dictionary › corn
At the time the King James Bible was translated, the word “corn” meant grain ... thus translated (bar; i.e., “winnowed”) means grain separated from chaff.
The wheat when first thrashed lies in one heap with chaff and straw, and is after winnowed to separate it; so the faithful are mixed up in one Church with the unfaithful; but persecution comes as a wind, that, tossed by Christ's fan, they whose hearts were separate before, may be also now separated in place.The wheat when first thrashed lies in one heap with chaff and straw, and is after winnowed to separate it; so the faithful are mixed up in one Church with the unfaithful; but persecution comes as a wind, that, tossed by Christ's fan, they whose hearts were separate before, may be also now separated in place.
From Wikipedia, the free encyclopedia
Matthew 3:12
? 3:11
3:13 ?
Jean-François Millet (II) 008.jpg
Jean-François Millet's depiction of winnowing
Book
Gospel of Matthew
Christian Bible part
New Testament
Matthew 3:12 is the twelfth verse of the third chapter of the Gospel of Matthew in the New Testament. The verse occurs in the section relating the preachings of John the Baptist. In this he uses the imagery of harvesting wheat to describe God's judgement.
In the King James Version of the Bible the text reads:
Whose fan is in his hand, and he will thoroughly purge his floor,and gather his wheat into the garner; but he will burn up the chaff with unquenchable fire.
The World English Bible translates the passage as:
His winnowing fork is in hishand, and he will thoroughly cleanse his threshing floor. He will gather his wheat into the barn, but the chaff he will burn up with unquenchable fire."
For a collection of other versions see BibleHub Matthew 3:12
Analysis?[edit]
A winnowing fork
This verse describes wind winnowing, the period's standard process for separating the wheat from the chaff. Ptyon, the word translated as winnowing fork in the World English Bible is a tool similar to a pitchfork that would be used to lift harvested wheat up into the air into the wind. The wind would then blow away the lighter chaff allowing the edible grains to fall to the threshing floor, a large flat surface. The unneeded chaff would then be burned. As with the axe already placed against the tree in the preceding verse, the winnowing fork is already in hand, emphasizing the nearness of judgement.[1]
Winnowing forks, generally made of wood, were common at the time, and several dating from this period have been found. Modern scholars mostly agree that the term "winnowing fork" is the most accurate but older versions have fan, shovel, broom, and other translations. In the Eastern Orthodox church the word was most often interpreted as broom and a common icon shows Christ holding a broom.
In this verse John the Baptist is still assumed to be addressing the Pharisees and Sadducees. The eschatological imagery is quite clear. The wheat represents those who are truly repentant, the chaff those like the Pharisees and Sadducees who are not. The messiah will clear the world, and those that are worthy would be brought into his "barn" while those that were unworthy will burn in unquenchable fire. France notes that unquenchable is in no way a synonym for eternal and that no doctrine of eternal damnation for the wicked should be read into this passage.[2]
What is the meaning of chaff in the Bible? - GotQuestions.org
www.gotquestions.org › Content Index › Topical › Topical: Analogies
4 Jan 2022 · Separating the worthless chaff from the valuable grain was a ready symbol for separating good from evil or showing the difference between God's ...
The wheat when first thrashed lies in one heap with chaff and straw, and is after winnowed to separate it; so the faithful are mixed up in one Church with the unfaithful; but persecution comes as a wind, that, tossed by Christ's fan, they whose hearts were separate before, may be also now separated in place.
W |
= |
5 |
9 |
WINNOWING |
128 |
56 |
2 |
+ |
- |
+ |
+ |
+ |
+ |
+ |
+ |
S |
= |
1 |
10 |
SEPARATING |
110 |
56 |
2 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
W |
= |
5 |
5 |
WHEAT |
57 |
21 |
3 |
F |
= |
6 |
4 |
FROM |
52 |
25 |
7 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
5 |
CHAFF |
24 |
15 |
6 |
|
|
24 |
39 |
First Total |
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|
|
|
|
2+4 |
4+6 |
Add to Reduce |
4+3+7 |
2+0+3 |
3+2 |
|
|
|
|
Second Total |
|
|
|
|
|
|
1+0 |
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
Essence of Number |
|
|
|
JUST SIX NUMBERS
Martin Rees
1
999
OUR COSMIC HABITAT
PLANETS STARS AND LIFE
Page 24
A
proton
is
1,836 times heavier than an electron, and the number 1,836
would have the same connotations to any 'intelligence'
Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units
A
proton
is
1,836 times heavier than an electron, and the number 1,836
would have the same connotations to any 'intelligence'
E |
= |
5 |
- |
8 |
EIGHTEEN |
73 |
46 |
1 |
T |
= |
2 |
- |
9 |
THIRTYSIX |
152 |
53 |
8 |
- |
- |
|
|
17 |
First Total |
|
|
|
- |
- |
|
- |
1+7 |
Add to Reduce |
2+2+5 |
9+9 |
|
Q |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
|
|
- |
Reduce to Deduce |
- |
1+8 |
|
Q |
- |
|
- |
|
Essence of Number |
|
|
|
3 |
SUN |
54 |
9 |
|
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
12 |
First Total |
163 |
55 |
19 |
1+2 |
Add to Reduce |
1+6+3 |
5+5 |
6+2 |
3 |
Second Total |
10 |
10 |
10 |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
3 |
Essence of Number |
1 |
1 |
1 |
When Betelgeuse goes supernova, what will it look like from Earth?
astronomy.com › news › 2020/02 › when-betelgeuse-goes-supernova-what...
14 Feb 2020 · Astronomers simulated what humans will see on Earth when the star Betelgeuse explodes as a supernova sometime in the next 100000 years
Betelgeuse - Wikipedia
en.wikipedia.org › wiki › Betelgeuse
Betelgeuse is a red supergiant of spectral type M1-2 and one of the largest stars visible to ... evolution with a supernova explosion, most likely within 100,000 years.Betelgeuse is a red supergiant of spectral type M1-2 and one of the largest stars visible to the naked eye. It is usually the tenth-brightest star in the night sky and, after Rigel, the second-brightest in the constellation of Orion. It is a distinctly reddish, semiregular variable star whose apparent magnitude, varying between +0.0 and +1.6, has the widest range displayed by any first-magnitude star. At near-infrared wavelengths, Betelgeuse is the brightest star in the night sky. Its Bayer designation is a Orionis, Latinised to Alpha Orionis and abbreviated Alpha Ori or a Ori. If it were at the center of our Solar System, its surface would lie beyond the asteroid belt and it would engulf the orbits of Mercury, Venus, Earth, and Mars. Nevertheless, there are several even larger stars in the Milky Way, including supergiants like Mu Cephei and the peculiar hypergiant, VY Canis Majoris. Calculations of Betelgeuse's mass range from slightly under ten to a little over twenty times that of the Sun. For various reasons, its distance has been quite difficult to measure; current best estimates are on the order of 500–600 light-years from the Sun – a comparatively wide uncertainty for a relatively nearby star. Its absolute magnitude is about -6. Less than 10 million years old, Betelgeuse has evolved rapidly because of its large mass and is expected to end its evolution with a supernova explosion, most likely within 100,000 years. Having been ejected from its birthplace in the Orion OB1 association – which includes the stars in Orion's Belt – this runaway star has been observed to be moving through the interstellar medium at a speed of 30 km/s, creating a bow shock over four light-years wide.
In 1920, Betelgeuse became the first extrasolar star whose photosphere's angular size was measured. Subsequent studies have reported an angular diameter (i.e., apparent size) ranging from 0.042 to 0.056 arcseconds; that range of determinations is ascribed to non-sphericity, limb darkening, pulsations and varying appearance at different wavelengths. It is also surrounded by a complex, asymmetric envelope, roughly 250 times the size of the star, caused by mass loss from the star itself. The Earth-observed angular diameter of Betelgeuse is exceeded only by those of R Doradus and the Sun.
Starting in October 2019, Betelgeuse began to dim noticeably, and by mid-February 2020 its brightness had dropped by a factor of approximately 3, from magnitude 0.5 to 1.7. By 22 February 2020, Betelgeuse stopped dimming and started to brighten again; and, as reported on 25 February 2022, has remained in a more normal brightness range. Infrared observations found no significant change in brightness over the last 50 years, suggesting that the dimming was due to a change in extinction or "large-grain circumstellar dust", rather than an underlying change in the luminosity of the star. A 2022 study using the Hubble Space Telescope suggests that occluding dust was created by a surface mass ejection. This surface mass ejection cast material millions of miles from the star that then cooled to form the dust that caused the star's dimming
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7 |
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4 |
1 |
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5 |
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7 |
1 |
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21 |
3 |
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9 |
1 |
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19 |
10 |
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10 |
1 |
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5 |
5 |
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36 |
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|
101 |
47 |
38 |
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|
3+6 |
|
1+0 |
|
1+0+1 |
4+7 |
3+8 |
|
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|
|
2+0 |
|
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|
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|
9 |
|
1 |
|
2 |
11 |
11 |
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- |
|
|
|
- |
1+1 |
1+1 |
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|
9 |
|
|
|
9 |
2 |
2 |
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
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101 |
47 |
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9 |
1 |
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19 |
10 |
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1 |
1 |
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2 |
2 |
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3 |
1 |
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20 |
2 |
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5 |
1 |
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12 |
3 |
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7 |
1 |
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21 |
3 |
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2 |
1 |
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5 |
5 |
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4 |
1 |
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5 |
5 |
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4 |
1 |
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5 |
5 |
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10 |
1 |
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5 |
5 |
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6 |
1 |
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7 |
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36 |
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101 |
47 |
38 |
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|
3+6 |
|
1+0 |
|
1+0+1 |
4+7 |
3+8 |
|
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2+0 |
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9 |
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1 |
|
2 |
11 |
11 |
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- |
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- |
1+1 |
1+1 |
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9 |
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|
9 |
2 |
2 |
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
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101 |
47 |
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9 |
1 |
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19 |
10 |
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1 |
1 |
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2 |
2 |
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3 |
1 |
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20 |
2 |
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5 |
1 |
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12 |
3 |
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7 |
1 |
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21 |
3 |
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2 |
1 |
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5 |
5 |
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4 |
1 |
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5 |
5 |
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4 |
1 |
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5 |
5 |
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10 |
1 |
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5 |
5 |
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6 |
1 |
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7 |
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36 |
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101 |
47 |
38 |
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3+6 |
|
1+0 |
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1+0+1 |
4+7 |
3+8 |
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2+0 |
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9 |
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1 |
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2 |
11 |
11 |
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- |
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- |
1+1 |
1+1 |
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9 |
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9 |
2 |
2 |
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NUMBERSIN
ONE
NINETY NINE
4 |
ZERO |
64 |
|
28 |
|
1 |
3
|
ONE |
34
|
|
16
|
|
7
|
3
|
TWO |
58
|
|
13
|
|
4
|
5
|
THREE |
56
|
|
29
|
|
2
|
4
|
FOUR |
60
|
|
24
|
|
6
|
4
|
FIVE |
42
|
|
24
|
|
6
|
3
|
SIX |
52
|
|
16
|
|
7
|
5
|
SEVEN |
65
|
|
20
|
|
2
|
5
|
EIGHT |
49
|
|
31
|
|
4
|
4
|
NINE |
42
|
|
24
|
|
6
|
3
|
TEN |
39
|
|
12
|
|
3
|
6
|
ELEVEN |
63
|
|
27
|
|
9
|
6
|
TWELVE |
87
|
|
24
|
|
6
|
8
|
THIRTEEN |
99
|
|
45
|
|
9
|
8
|
FOURTEEN |
104
|
|
41
|
|
5
|
7
|
FIFTEEN |
65
|
|
38
|
|
2
|
7
|
SIXTEEN |
96
|
|
33
|
|
6
|
9
|
SEVENTEEN |
109
|
|
37
|
|
1
|
8
|
EIGHTEEN |
73
|
|
46
|
|
1
|
8
|
NINETEEN |
86
|
|
41
|
|
5
|
6
|
TWENTY |
107
|
|
26
|
|
8
|
9
|
TWENTYONE |
141
|
|
42
|
|
6
|
9
|
TWENTYTWO |
165
|
|
39
|
|
3
|
11
|
TWENTYTHREE |
163
|
|
55
|
|
1
|
10
|
TWENTYFOUR |
167
|
|
50
|
|
5
|
10
|
TWENTYFIVE |
149
|
|
50
|
|
5
|
9
|
TWENTYSIX |
159
|
|
42
|
|
6
|
11
|
TWENTYSEVEN |
172
|
|
46
|
|
1
|
11
|
TWENTYEIGHT |
156
|
|
57
|
|
3
|
10
|
TWENTYNINE |
149
|
|
50
|
|
5
|
6
|
THIRTY |
100
|
|
37
|
|
1
|
9
|
THIRTYONE |
134
|
|
53
|
|
8
|
9
|
THIRTYTWO |
158
|
|
50
|
|
5
|
11
|
THIRTYTHREE |
156
|
|
66
|
|
3
|
10
|
THIRTYFOUR |
160
|
|
61
|
|
7
|
10
|
THIRTYFIVE |
142
|
|
61
|
|
7
|
9
|
THIRTYSIX |
152
|
|
53
|
|
8
|
11
|
THIRTYSEVEN |
165
|
|
57
|
|
3
|
11
|
THIRTYEIGHT |
149
|
|
68
|
|
5
|
10
|
THIRTYNINE |
142
|
|
61
|
|
7
|
5
|
FORTY |
84
|
|
30
|
|
3
|
8
|
FORTYONE |
118
|
|
46
|
|
1
|
8
|
FORTYTWO |
142
|
|
43
|
|
7
|
10
|
FORTYTHREE |
140
|
|
59
|
|
5
|
9
|
FORTYFOUR |
144
|
|
54
|
|
9
|
9
|
FORTYFIVE |
126
|
|
54
|
|
9
|
8
|
FORTYSIX |
136
|
|
46
|
|
1
|
10
|
FORTYSEVEN |
149
|
|
50
|
|
5
|
10
|
FORTYEIGHT |
133
|
|
61
|
|
7
|
9
|
FORTYNINE |
126
|
|
54
|
|
9
|
5
|
FIFTY |
66
|
|
30
|
|
3
|
8
|
FIFTYONE |
100
|
|
46
|
|
1
|
8
|
FIFTYTWO |
124
|
|
43
|
|
7
|
10
|
FIFTYTHREE |
122
|
|
59
|
|
5
|
9
|
FIFTYFOUR |
126
|
|
54
|
|
9
|
9
|
FIFTYFIVE |
108
|
|
54
|
|
9
|
8
|
FIFTYSIX |
118
|
|
46
|
|
1
|
10
|
FIFTYSEVEN |
131
|
|
50
|
|
5
|
10
|
FIFTYEIGHT |
115
|
|
61
|
|
7
|
9
|
FIFTYNINE |
108
|
|
54
|
|
9
|
5
|
SIXTY |
97
|
|
25
|
|
7
|
8
|
SIXTYONE |
131
|
|
41
|
|
5
|
8
|
SIXTYTWO |
155
|
|
38
|
|
2
|
10
|
SIXTYTHREE |
153
|
|
54
|
|
9
|
9
|
SIXTYFOUR |
157
|
|
49
|
|
4
|
9
|
SIXTYFIVE |
139
|
|
49
|
|
4
|
8
|
SIXTYSIX |
149
|
|
41
|
|
5
|
10
|
SIXTYSEVEN |
162
|
|
45
|
|
9
|
10
|
SIXTYEIGHT |
146
|
|
56
|
|
2
|
9
|
SIXTYNINE |
139
|
|
49
|
|
4
|
7
|
SEVENTY |
110
|
|
29
|
|
2
|
10
|
SEVENTYONE |
144
|
|
45
|
|
9
|
10
|
SEVENTYTWO |
168
|
|
42
|
|
6
|
12
|
SEVENTYTHREE |
166
|
|
58
|
|
4
|
11
|
SEVENTYFOUR |
170
|
|
53
|
|
8
|
11
|
SEVENTYFIVE |
152
|
|
53
|
|
8
|
10
|
SEVENTYSIX |
162
|
|
45
|
|
9
|
12
|
SEVENTYSEVEN |
175
|
|
49
|
|
4
|
12
|
SEVENTYEIGHT |
159
|
|
60
|
|
6
|
11
|
SEVENTYNINE |
152
|
|
53
|
|
8
|
6
|
EIGHTY |
74
|
|
38
|
|
2
|
9
|
EIGHTYONE |
108
|
|
54
|
|
9
|
9
|
EIGHTYTWO |
132
|
|
51
|
|
6
|
11
|
EIGHTYTHREE |
130
|
|
67
|
|
4
|
10
|
EIGHTYFOUR |
134
|
|
62
|
|
8
|
10
|
EIGHTYFIVE |
116
|
|
62
|
|
8
|
9
|
EIGHTYSIX |
126
|
|
54
|
|
9
|
11
|
EIGHTYSEVEN |
139
|
|
58
|
|
4
|
11
|
EIGHTYEIGHT |
123
|
|
69
|
|
6
|
10
|
EIGHTYNINE |
116
|
|
62
|
|
8
|
6
|
NINETY |
87
|
|
33
|
|
6
|
9
|
NINETYONE |
121
|
|
49
|
|
4
|
9
|
NINETYTWO |
145
|
|
46
|
|
1
|
11
|
NINETYTHREE |
143
|
|
62
|
|
8
|
10
|
NINETYFOUR |
147
|
|
57
|
|
3
|
10
|
NINETYFIVE |
129
|
|
57
|
|
3
|
9
|
NINETYSIX |
139
|
|
49
|
|
4
|
11
|
NINETYSEVEN |
152
|
|
53
|
|
8
|
11
|
NINETYEIGHT |
136
|
|
64
|
|
1
|
10
|
NINETYNINE |
129
|
|
57
|
|
3
|
JOSEPH AND HIS BROTHERS
Thomas Mann
Page 935
"Come nearer, my friend," he said, as the bee studded curtain closed behind them, "pray come close to me, dear Khabiru from the Retenu, fear not, nor startle in your step, come quite close to me! This is the mother of god, Tiy, who lives a million years. And I am Pharaoh. But think no more of that, lest it make you fearful. Pharaoh is God and Man, but sets as much store by the second as the first, yes he rejoices, sometimes his rejoicing amounts to defiance and scorn that he is a man like all men, seen from one side; he rejoices to snap his fingers at those sour faces who would have him bear himself uniformly as God
SIMULATIONS OF GOD
THE SCIENCE OF BELIEF
John Lilly 1975
Page xi bottom line (30th)
"I am only an extraterrestrial who has come to the / Page xii / planet Earth to inhabit a human body, Everytime I leave this body and go back to my own civilization, I am expanded beyond all human imaginings, When I must return I am squeezed down into the limited vehicle."
1 |
I |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
2 |
TY |
45 |
9 |
9 |
2 |
EV |
27 |
9 |
9 |
3 |
OUR |
54 |
9 |
9 |
3 |
IVE |
36 |
18 |
9 |
|
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8 |
1 |
4 |
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64 |
28 |
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6 |
2 |
5 |
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72 |
27 |
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2 |
- |
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= |
1 |
3 |
6 |
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60 |
24 |
6 |
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3 |
- |
T |
= |
2 |
4 |
5 |
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59 |
32 |
5 |
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5 |
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4 |
- |
F |
= |
6 |
5 |
6 |
|
88 |
34 |
7 |
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5 |
- |
F |
= |
6 |
6 |
5 |
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49 |
31 |
4 |
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4 |
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6 |
- |
S |
= |
1 |
7 |
5 |
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80 |
26 |
8 |
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7 |
- |
S |
= |
1 |
8 |
7 |
|
93 |
30 |
3 |
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3 |
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8 |
- |
E |
= |
5 |
9 |
6 |
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57 |
39 |
3 |
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3 |
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9 |
- |
N |
= |
5 |
10 |
5 |
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65 |
29 |
2 |
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45 |
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- |
- |
41 |
- |
54 |
Add |
|
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|
4+5 |
|
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4+1 |
|
5+4 |
Reduce |
6+8+7 |
3+0+0 |
4+8 |
|
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9 |
- |
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Deduce |
|
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Reduce |
2+1 |
|
1+2 |
|
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9 |
- |
|
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Essence |
|
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0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
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9 |
- |
N |
= |
5 |
10 |
5 |
|
65 |
29 |
2 |
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7 |
- |
S |
= |
1 |
8 |
7 |
|
93 |
30 |
3 |
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3 |
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8 |
- |
E |
= |
5 |
9 |
6 |
|
57 |
39 |
3 |
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3 |
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5 |
- |
F |
= |
6 |
6 |
5 |
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49 |
31 |
4 |
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4 |
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3 |
- |
T |
= |
2 |
4 |
5 |
|
59 |
32 |
5 |
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5 |
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2 |
- |
S |
= |
1 |
3 |
6 |
|
60 |
24 |
6 |
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4 |
- |
F |
= |
6 |
5 |
6 |
|
88 |
34 |
7 |
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6 |
- |
S |
= |
1 |
7 |
5 |
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80 |
26 |
8 |
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1 |
- |
F |
= |
6 |
2 |
5 |
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72 |
27 |
9 |
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45 |
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- |
- |
41 |
- |
54 |
Add |
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4+5 |
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4+1 |
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5+4 |
Reduce |
6+8+7 |
3+0+0 |
4+8 |
|
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9 |
- |
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Deduce |
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Reduce |
2+1 |
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1+2 |
|
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9 |
- |
|
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Essence |
|
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0 |
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Z |
= |
8 |
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4 |
|
64 |
28 |
1 |
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1 |
- |
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= |
6 |
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3 |
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34 |
16 |
7 |
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2 |
- |
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2 |
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3 |
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58 |
13 |
4 |
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3 |
- |
T |
= |
2 |
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5 |
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56 |
29 |
2 |
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4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
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5 |
- |
F |
= |
6 |
- |
4 |
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42 |
24 |
6 |
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6 |
- |
S |
= |
1 |
- |
3 |
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52 |
16 |
7 |
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7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
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8 |
- |
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= |
5 |
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5 |
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49 |
31 |
4 |
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4 |
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9 |
- |
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= |
5 |
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4 |
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42 |
24 |
6 |
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45 |
|
- |
- |
42 |
- |
40 |
Add |
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|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
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|
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0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
3 |
|
5 |
|
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8 |
9 |
1 |
- |
O |
= |
6 |
2 |
3 |
|
34 |
16 |
7 |
|
|
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3 |
|
5 |
|
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8 |
9 |
2 |
- |
T |
= |
2 |
3 |
3 |
|
58 |
13 |
4 |
|
|
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3 |
|
5 |
|
|
8 |
9 |
3 |
- |
T |
= |
2 |
4 |
5 |
|
56 |
29 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
4 |
- |
F |
= |
6 |
5 |
4 |
|
60 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
5 |
- |
F |
= |
6 |
6 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
6 |
- |
S |
= |
1 |
7 |
3 |
|
52 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
|
3 |
4 |
5 |
|
|
8 |
9 |
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
45 |
|
- |
- |
42 |
|
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
3 |
- |
T |
= |
2 |
4 |
5 |
|
56 |
29 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
2 |
- |
T |
= |
2 |
3 |
3 |
|
58 |
13 |
4 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
|
3 |
4 |
5 |
|
|
8 |
9 |
4 |
- |
F |
= |
6 |
5 |
4 |
|
60 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
5 |
- |
F |
= |
6 |
6 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
1 |
- |
O |
= |
6 |
2 |
3 |
|
34 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
6 |
- |
S |
= |
1 |
7 |
3 |
|
52 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
45 |
|
- |
- |
42 |
|
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
4 |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
3 |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
|
4 |
|
|
4 |
- |
F |
= |
6 |
5 |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
6 |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
2 |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
7 |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
45 |
|
- |
- |
42 |
|
40 |
Add |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
1+8 |
1+4 |
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
5
|
FIRST |
72
|
27
|
9
|
6
|
SECOND |
60
|
24
|
6
|
5
|
THIRD |
59
|
32
|
5
|
6
|
FOURTH |
88
|
34
|
7
|
5
|
FIFTH |
49
|
31
|
4
|
5
|
SIXTH |
80
|
26
|
8
|
7
|
SEVENTH |
93
|
30
|
3
|
6
|
EIGHTH |
57
|
39
|
3
|
5
|
NINTH |
65
|
29
|
2
|
5
|
TENTH |
67
|
22
|
4
|
8
|
ELEVENTH |
91
|
37
|
1
|
7
|
TWELTH |
94
|
31
|
4
|
10
|
THIRTEENTH |
127
|
55
|
1
|
10
|
FOURTEENTH |
132
|
51
|
6
|
9
|
FIFTEENTH |
93
|
48
|
3
|
9
|
SIXTEENTH |
124
|
43
|
7
|
11
|
SEVENTEENTH |
137
|
47
|
2
|
10
|
EIGHTEENTH |
101
|
56
|
2
|
4 |
ZERO |
64 |
|
28 |
|
1 |
3
|
ONE |
34
|
|
16
|
|
7
|
3
|
TWO |
58
|
|
13
|
|
4
|
5
|
THREE |
56
|
|
29
|
|
2
|
4
|
FOUR |
60
|
|
24
|
|
6
|
4
|
FIVE |
42
|
|
24
|
|
6
|
3
|
SIX |
52
|
|
16
|
|
7
|
5
|
SEVEN |
65
|
|
20
|
|
2
|
5
|
EIGHT |
49
|
|
31
|
|
4
|
4
|
NINE |
42
|
|
24
|
|
6
|
3
|
TEN |
39
|
|
12
|
|
3
|
6
|
ELEVEN |
63
|
|
27
|
|
9
|
6
|
TWELVE |
87
|
|
24
|
|
6
|
8
|
THIRTEEN |
99
|
|
45
|
|
9
|
8
|
FOURTEEN |
104
|
|
41
|
|
5
|
7
|
FIFTEEN |
65
|
|
38
|
|
2
|
7
|
SIXTEEN |
96
|
|
33
|
|
6
|
9
|
SEVENTEEN |
109
|
|
37
|
|
1
|
8
|
EIGHTEEN |
73
|
|
46
|
|
1
|
8
|
NINETEEN |
86
|
|
41
|
|
5
|
6
|
TWENTY |
107
|
|
26
|
|
8
|
9
|
TWENTYONE |
141
|
|
42
|
|
6
|
9
|
TWENTYTWO |
165
|
|
39
|
|
3
|
11
|
TWENTYTHREE |
163
|
|
55
|
|
1
|
10
|
TWENTYFOUR |
167
|
|
50
|
|
5
|
10
|
TWENTYFIVE |
149
|
|
50
|
|
5
|
9
|
TWENTYSIX |
159
|
|
42
|
|
6
|
11
|
TWENTYSEVEN |
172
|
|
46
|
|
1
|
11
|
TWENTYEIGHT |
156
|
|
57
|
|
3
|
10
|
TWENTYNINE |
149
|
|
50
|
|
5
|
6
|
THIRTY |
100
|
|
37
|
|
1
|
9
|
THIRTYONE |
134
|
|
53
|
|
8
|
9
|
THIRTYTWO |
158
|
|
50
|
|
5
|
11
|
THIRTYTHREE |
156
|
|
66
|
|
3
|
10
|
THIRTYFOUR |
160
|
|
61
|
|
7
|
10
|
THIRTYFIVE |
142
|
|
61
|
|
7
|
9
|
THIRTYSIX |
152
|
|
53
|
|
8
|
11
|
THIRTYSEVEN |
165
|
|
57
|
|
3
|
11
|
THIRTYEIGHT |
149
|
|
68
|
|
5
|
10
|
THIRTYNINE |
142
|
|
61
|
|
7
|
5
|
FORTY |
84
|
|
30
|
|
3
|
8
|
FORTYONE |
118
|
|
46
|
|
1
|
8
|
FORTYTWO |
142
|
|
43
|
|
7
|
10
|
FORTYTHREE |
140
|
|
59
|
|
5
|
9
|
FORTYFOUR |
144
|
|
54
|
|
9
|
9
|
FORTYFIVE |
126
|
|
54
|
|
9
|
8
|
FORTYSIX |
136
|
|
46
|
|
1
|
10
|
FORTYSEVEN |
149
|
|
50
|
|
5
|
10
|
FORTYEIGHT |
133
|
|
61
|
|
7
|
9
|
FORTYNINE |
126
|
|
54
|
|
9
|
5
|
FIFTY |
66
|
|
30
|
|
3
|
8
|
FIFTYONE |
100
|
|
46
|
|
1
|
8
|
FIFTYTWO |
124
|
|
43
|
|
7
|
10
|
FIFTYTHREE |
122
|
|
59
|
|
5
|
9
|
FIFTYFOUR |
126
|
|
54
|
|
9
|
9
|
FIFTYFIVE |
108
|
|
54
|
|
9
|
8
|
FIFTYSIX |
118
|
|
46
|
|
1
|
10
|
FIFTYSEVEN |
131
|
|
50
|
|
5
|
10
|
FIFTYEIGHT |
115
|
|
61
|
|
7
|
9
|
FIFTYNINE |
108
|
|
54
|
|
9
|
5
|
SIXTY |
97
|
|
25
|
|
7
|
8
|
SIXTYONE |
131
|
|
41
|
|
5
|
8
|
SIXTYTWO |
155
|
|
38
|
|
2
|
10
|
SIXTYTHREE |
153
|
|
54
|
|
9
|
9
|
SIXTYFOUR |
157
|
|
49
|
|
4
|
9
|
SIXTYFIVE |
139
|
|
49
|
|
4
|
8
|
SIXTYSIX |
149
|
|
41
|
|
5
|
10
|
SIXTYSEVEN |
162
|
|
45
|
|
9
|
10
|
SIXTYEIGHT |
146
|
|
56
|
|
2
|
9
|
SIXTYNINE |
139
|
|
49
|
|
4
|
7
|
SEVENTY |
110
|
|
29
|
|
2
|
10
|
SEVENTYONE |
144
|
|
45
|
|
9
|
10
|
SEVENTYTWO |
168
|
|
42
|
|
6
|
12
|
SEVENTYTHREE |
166
|
|
58
|
|
4
|
11
|
SEVENTYFOUR |
170
|
|
53
|
|
8
|
11
|
SEVENTYFIVE |
152
|
|
53
|
|
8
|
10
|
SEVENTYSIX |
162
|
|
45
|
|
9
|
12
|
SEVENTYSEVEN |
175
|
|
49
|
|
4
|
12
|
SEVENTYEIGHT |
159
|
|
60
|
|
6
|
11
|
SEVENTYNINE |
152
|
|
53
|
|
8
|
6
|
EIGHTY |
74
|
|
38
|
|
2
|
9
|
EIGHTYONE |
108
|
|
54
|
|
9
|
9
|
EIGHTYTWO |
132
|
|
51
|
|
6
|
11
|
EIGHTYTHREE |
130
|
|
67
|
|
4
|
10
|
EIGHTYFOUR |
134
|
|
62
|
|
8
|
10
|
EIGHTYFIVE |
116
|
|
62
|
|
8
|
9
|
EIGHTYSIX |
126
|
|
54
|
|
9
|
11
|
EIGHTYSEVEN |
139
|
|
58
|
|
4
|
11
|
EIGHTYEIGHT |
123
|
|
69
|
|
6
|
10
|
EIGHTYNINE |
116
|
|
62
|
|
8
|
6
|
NINETY |
87
|
|
33
|
|
6
|
9
|
NINETYONE |
121
|
|
49
|
|
4
|
9
|
NINETYTWO |
145
|
|
46
|
|
1
|
11
|
NINETYTHREE |
143
|
|
62
|
|
8
|
10
|
NINETYFOUR |
147
|
|
57
|
|
3
|
10
|
NINETYFIVE |
129
|
|
57
|
|
3
|
9
|
NINETYSIX |
139
|
|
49
|
|
4
|
11
|
NINETYSEVEN |
152
|
|
53
|
|
8
|
11
|
NINETYEIGHT |
136
|
|
64
|
|
1
|
10
|
NINETYNINE |
129
|
|
57
|
|
3
|
Nato Phonetic Alphabet - Best for Puzzles
bestforpuzzles.com/reference/phonetic-alphabet.html
The NATO phonetic alphabet, more formally the international radiotelephony spelling alphabet, is the most widely used spelling alphabet. Code words are ...
A ALFA or ALPHA B BRAVO C CHARLIE D DELTA E ECHO F FOXTROT G GOLF H HOTEL IINDIA
J JULIET K KILOL LIMA M MIKEN N NOVEMBER O OSCAR P PAPA Q QUEBEC R ROMEO
S SIERRA T TANGO U UNIFORM V VICTOR W WHISKEY X X-RAY OR XRAY Y YANKEE Z ZULU
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1 |
5 |
|
38 |
11 |
|
|
|
|
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|
|
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|
|
|
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2 |
5 |
|
58 |
22 |
|
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|
|
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|
|
3 |
7 |
|
56 |
38 |
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|
4 |
5 |
|
42 |
15 |
|
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|
|
|
5 |
4 |
|
31 |
22 |
|
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6 |
7 |
|
118 |
37 |
|
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7 |
4 |
|
40 |
22 |
|
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|
8 |
5 |
|
60 |
24 |
|
|
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|
9 |
5 |
|
37 |
28 |
|
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|
|
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|
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|
45 |
|
47 |
|
480 |
219 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
6 |
|
77 |
23 |
|
|
|
|
|
|
|
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|
|
|
|
|
|
11 |
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
35 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
4 |
|
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
8 |
|
94 |
40 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
5 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
4 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
6 |
|
53 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
5 |
|
66 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
45 |
|
46 |
|
500 |
221 |
41 |
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
6 |
|
70 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
5 |
|
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
7 |
|
96 |
42 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
6 |
|
87 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
7 |
|
100 |
46 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
4 |
|
68 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
6 |
|
61 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
4 |
|
80 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
|
45 |
|
619 |
250 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+6 |
1+0 |
2+4 |
2+1 |
2+4 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2+6 |
|
1+3+8 |
Add to Reduce |
1+5+9+9 |
6+9+0 |
1+1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
Reduce to Deduce |
2+4 |
1+5 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Third Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
5 |
|
38 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
5 |
|
58 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
7 |
|
56 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
|
42 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
4 |
|
31 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
7 |
|
118 |
37 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
|
40 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
6 |
|
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
35 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
4 |
|
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
8 |
|
94 |
40 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
5 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
4 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
6 |
|
53 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
5 |
|
66 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
6 |
|
70 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
5 |
|
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
7 |
|
96 |
42 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
6 |
|
87 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
7 |
|
100 |
46 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
4 |
|
68 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
6 |
|
61 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
4 |
|
80 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+6 |
1+0 |
2+4 |
2+1 |
2+4 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2+6 |
|
1+3+8 |
Add to Reduce |
1+5+9+9 |
6+9+0 |
1+1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
Reduce to Deduce |
2+4 |
1+5 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Third Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
7 |
|
118 |
37 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
7 |
|
100 |
46 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
5 |
|
38 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
7 |
|
56 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
4 |
|
38 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
5 |
|
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
5 |
|
66 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
5 |
|
57 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
5 |
|
58 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
4 |
|
31 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
|
40 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
8 |
|
94 |
40 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
6 |
|
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
4 |
|
68 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
|
42 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
21 |
7 |
|
96 |
42 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
6 |
|
87 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
4 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
6 |
|
70 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
6 |
|
61 |
25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
35 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
6 |
|
53 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
4 |
|
80 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+6 |
1+0 |
2+4 |
2+1 |
2+4 |
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2+6 |
|
1+3+8 |
Add to Reduce |
1+5+9+9 |
6+9+0 |
1+1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
Reduce to Deduce |
2+4 |
1+5 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Third Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
The 26 code words in the International phonetic alphabet are assigned to the 26 letters of the English alphabet in alphabetical order as follows: Alpha, Bravo, Charlie, Delta, Echo, Foxtrot, Golf, Hotel, India, Juliet, Kilo, Lima, Mike, November, Oscar, Papa, Quebec, Romeo, Sierra, Tango, Uniform, Victor, Whiskey, X-ray, Yankee, Zulu.
1 |
I |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
2 |
TY |
45 |
9 |
9 |
2 |
EV |
27 |
9 |
9 |
3 |
OUR |
54 |
9 |
9 |
3 |
IVE |
36 |
18 |
9 |
THE LIGHT IS RISING NOW RISING IS THE LIGHT
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
F |
= |
6 |
2 |
5 |
|
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
S |
= |
1 |
3 |
6 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
4 |
5 |
|
59 |
32 |
5 |
|
|
|
|
|
5 |
|
|
|
|
4 |
- |
F |
= |
6 |
5 |
6 |
|
88 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
6 |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
6 |
- |
S |
= |
1 |
7 |
5 |
|
80 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
8 |
7 |
|
93 |
30 |
3 |
|
|
|
3 |
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
9 |
6 |
|
57 |
39 |
3 |
|
|
|
3 |
|
|
|
|
|
|
9 |
- |
N |
= |
5 |
10 |
5 |
|
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
41 |
- |
54 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+1 |
|
5+4 |
Reduce |
6+8+7 |
3+0+0 |
4+8 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce |
2+1 |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Essence |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
N |
= |
5 |
10 |
5 |
|
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
8 |
7 |
|
93 |
30 |
3 |
|
|
|
3 |
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
9 |
6 |
|
57 |
39 |
3 |
|
|
|
3 |
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
6 |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
3 |
- |
T |
= |
2 |
4 |
5 |
|
59 |
32 |
5 |
|
|
|
|
|
5 |
|
|
|
|
2 |
- |
S |
= |
1 |
3 |
6 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
5 |
6 |
|
88 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
7 |
5 |
|
80 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
F |
= |
6 |
2 |
5 |
|
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
41 |
- |
54 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+1 |
|
5+4 |
Reduce |
6+8+7 |
3+0+0 |
4+8 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce |
2+1 |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Essence |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
1 |
- |
O |
= |
6 |
2 |
3 |
|
34 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
2 |
- |
T |
= |
2 |
3 |
3 |
|
58 |
13 |
4 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
3 |
- |
T |
= |
2 |
4 |
5 |
|
56 |
29 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
4 |
- |
F |
= |
6 |
5 |
4 |
|
60 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
5 |
- |
F |
= |
6 |
6 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
6 |
- |
S |
= |
1 |
7 |
3 |
|
52 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
|
3 |
4 |
5 |
|
|
8 |
9 |
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
45 |
|
- |
- |
42 |
|
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
3 |
- |
T |
= |
2 |
4 |
5 |
|
56 |
29 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
2 |
- |
T |
= |
2 |
3 |
3 |
|
58 |
13 |
4 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
|
3 |
4 |
5 |
|
|
8 |
9 |
4 |
- |
F |
= |
6 |
5 |
4 |
|
60 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
5 |
- |
F |
= |
6 |
6 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
1 |
- |
O |
= |
6 |
2 |
3 |
|
34 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
6 |
- |
S |
= |
1 |
7 |
3 |
|
52 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
45 |
|
- |
- |
42 |
|
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
4 |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
8 |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
3 |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
9 |
5 |
|
49 |
31 |
4 |
|
|
|
4 |
|
|
4 |
- |
F |
= |
6 |
5 |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
6 |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
9 |
- |
N |
= |
5 |
10 |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
2 |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
7 |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
45 |
|
- |
- |
42 |
|
40 |
Add |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
1+8 |
1+4 |
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
occurs |
x |
|
= |
6 |
= |
|
|
occurs |
x |
|
= |
3 |
= |
|
|
occurs |
x |
|
= |
8 |
= |
|
|
occurs |
x |
|
= |
70 |
7+0 |
|
|
occurs |
x |
|
= |
42 |
4+2 |
|
|
occurs |
x |
|
= |
7 |
= |
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
occurs |
x |
|
= |
63 |
6+3 |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
4+0 |
|
2+2+5 |
|
5+4 |
|
|
|
|
|
|
|
|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
|
occurs |
x |
|
= |
2 |
= |
|
|
occurs |
x |
|
= |
6 |
= |
|
|
occurs |
x |
|
= |
3 |
= |
|
|
occurs |
x |
|
= |
8 |
= |
|
|
occurs |
x |
|
= |
70 |
7+0 |
|
|
occurs |
x |
|
= |
42 |
4+2 |
|
|
occurs |
x |
|
= |
7 |
= |
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
occurs |
x |
|
= |
63 |
6+3 |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
4+0 |
|
2+2+5 |
|
5+4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
H |
|
- |
|
|
|
E |
|
8 |
- |
- |
6 |
- |
6 |
5 |
- |
- |
- |
- |
6 |
- |
- |
8 |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
9 |
- |
- |
- |
1 |
9 |
6 |
- |
1 |
- |
- |
- |
5 |
- |
- |
9 |
- |
8 |
- |
- |
5 |
9 |
5 |
- |
|
26 |
- |
- |
15 |
- |
15 |
14 |
- |
- |
- |
- |
15 |
- |
- |
8 |
- |
- |
- |
- |
- |
15 |
- |
- |
- |
- |
9 |
- |
- |
- |
19 |
9 |
24 |
- |
19 |
- |
- |
- |
14 |
- |
- |
9 |
- |
8 |
- |
- |
14 |
9 |
14 |
- |
|
|
|
|
|
- |
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
H |
|
- |
|
|
|
E |
|
- |
5 |
9 |
- |
- |
- |
- |
5 |
- |
2 |
5 |
- |
- |
2 |
- |
9 |
5 |
5 |
- |
6 |
- |
3 |
9 |
- |
6 |
- |
4 |
5 |
- |
- |
- |
- |
- |
- |
5 |
4 |
5 |
- |
- |
5 |
- |
7 |
- |
2 |
- |
- |
- |
- |
5 |
|
- |
5 |
18 |
- |
- |
- |
- |
5 |
- |
20 |
23 |
- |
- |
20 |
- |
18 |
5 |
5 |
- |
6 |
- |
21 |
18 |
- |
6 |
- |
22 |
5 |
- |
- |
- |
- |
- |
- |
5 |
22 |
5 |
- |
- |
5 |
- |
7 |
- |
20 |
- |
- |
- |
- |
5 |
|
|
|
|
|
- |
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
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- |
|
|
|
|
- |
|
|
|
- |
|
|
|
E |
|
- |
|
|
|
H |
|
- |
|
|
|
E |
|
26 |
5 |
18 |
15 |
- |
15 |
14 |
5 |
- |
20 |
23 |
15 |
- |
20 |
8 |
18 |
5 |
5 |
- |
6 |
15 |
21 |
18 |
- |
6 |
9 |
22 |
5 |
- |
19 |
9 |
24 |
- |
19 |
5 |
22 |
5 |
14 |
- |
5 |
9 |
7 |
8 |
20 |
- |
14 |
9 |
14 |
5 |
|
8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
- |
1 |
9 |
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
- |
5 |
9 |
5 |
5 |
|
|
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|
|
- |
|
|
|
- |
|
|
|
- |
|
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|
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- |
|
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- |
|
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- |
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- |
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- |
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- |
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- |
- |
- |
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- |
- |
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- |
- |
- |
|
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- |
- |
- |
|
|
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|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
-- |
|
5 |
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
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5 |
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5 |
|
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6 |
- |
- |
|
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- |
- |
- |
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- |
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- |
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- |
- |
- |
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- |
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- |
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5 x 14 = 70
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 14 = 70
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I = 9 9 = I
ME = 9 9 = ME
BRAIN + BODY = 9 9 = BODY + BRAIN
LIGHT + DARK = 9 9 = DARK + LIGHT
ENERGY + MASS = 9 9 = MASS +ENERGY
MIND + MATTER = 9 9 = MATTER + MIND
MAGNETIC + FIELD = 9 9 = FIELD + MAGNETIC
POSITIVE + NEGATIVE = 9 9 = NEGATIVE + POSITIVE
973 OM AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZAOM 973
5
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72
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27
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SECOND |
60
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59
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FOURTH |
88
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34
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FIFTH |
49
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31
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SIXTH |
80
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SEVENTH |
93
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EIGHTH |
57
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NINTH |
65
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TENTH |
67
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ELEVENTH |
91
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TWELTH |
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THIRTEENTH |
127
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FOURTEENTH |
132
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FIFTEENTH |
93
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48
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SIXTEENTH |
124
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SEVENTEENTH |
137
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47
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EIGHTEENTH |
101
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56
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2
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HOW GREAT THOU ART MY GOD HOW GREAT THOU ART
Probability is the branch of mathematics concerning numerical descriptions of how likely an event is to occur or how likely it is that a proposition is true. Probability is a number between 0 and 1, where, roughly speaking, 0 indicates impossibility and 1 indicates certainty.[note 1][1][2] The higher the probability of an event, the more likely it is that the event will occur. A simple example is the tossing of a fair (unbiased) coin. Since the coin is fair, the two outcomes ("heads" and "tails") are both equally probable; the probability of "heads" equals the probability of "tails"; and since no other outcomes are possible, the probability of either "heads" or "tails" is 1/2 (which could also be written as 0.5 or 50%).
These concepts have been given an axiomatic mathematical formalization in probability theory, which is used widely in such areas of study as mathematics, statistics, finance, gambling, science (in particular physics), artificial intelligence/machine learning, computer science, game theory, and philosophy to, for example, draw inferences about the expected frequency of events. Probability theory is also used to describe the underlying mechanics and regularities of complex systems.[3]
Main article: Probability interpretations
When dealing with experiments that are random and well-defined in a purely theoretical setting (like tossing a fair coin), probabilities can be numerically described by the number of desired outcomes divided by the total number of all outcomes. For example, tossing a fair coin twice will yield "head-head", "head-tail", "tail-head", and "tail-tail" outcomes. The probability of getting an outcome of "head-head" is 1 out of 4 outcomes, or, in numerical terms, 1/4, 0.25 or 25%. However, when it comes to practical application, there are two major competing categories of probability interpretations, whose adherents possess different views about the fundamental nature of probability:
1.Objectivists assign numbers to describe some objective or physical state of affairs. The most popular version of objective probability is frequentist probability, which claims that the probability of a random event denotes the relative frequency of occurrence of an experiment's outcome, when repeating the experiment. This interpretation considers probability to be the relative frequency "in the long run" of outcomes.[4] A modification of this is propensity probability, which interprets probability as the tendency of some experiment to yield a certain outcome, even if it is performed only once.
2.Subjectivists assign numbers per subjective probability, i.e., as a degree of belief.[5] The degree of belief has been interpreted as, "the price at which you would buy or sell a bet that pays 1 unit of utility if E, 0 if not E."[6] The most popular version of subjective probability is Bayesian probability, which includes expert knowledge as well as experimental data to produce probabilities. The expert knowledge is represented by some (subjective) prior probability distribution. These data are incorporated in a likelihood function. The product of the prior and the likelihood, normalized, results in a posterior probability distribution that incorporates all the information known to date.[7] By Aumann's agreement theorem, Bayesian agents whose prior beliefs are similar will end up with similar posterior beliefs. However, sufficiently different priors can lead to different conclusions regardless of how much information the agents share.[8]
How many possibilities are there with 9 numbers?
There are 1 billion 9 digit numbers (000,000,000 through 999,999,999). There are 45 different combinations of two different numerals (10 x 9 divided by 2). There are 512 (2 to the 9th power) different permutations for any two numbers to be used in a 9 digit number.13 Feb 2004
What is the most commonly used number?
Universally, given the prevalence of binary based computers, 0 and 1 are probably the most common numbers.
Random Number between 1 and 9 - Number Generator
numbergenerator.org › randomnumberbetween1and9
Select 1 unique numbers from 1 to 9. Total possible combinations: If order does not matter
(e.g. lottery numbers) 9 (~ 9.0) If order matters (e.g. pick3 numbers, ...
A survey launched by a British mathematics writer has found that seven is the world's favorite number, reports The Guardian. The results of the online survey were published on Tuesday, with three, eight and and four coming second, third and fourth.9 Apr 2014
Seven Is World's Favorite Number, Says Math Writer Alex Bellos | Time
SEVEN EVENS SEVEN
The World's Most Common Random Number - Molecular ...
micro.magnet.fsu.edu › creatures › pages › random
This circuitry on the MIPS R4000 microprocessor contains not only an image of Nikki, Larry Johnson's Chow dog, but also the number 37. We are told that MIPS chip designer Mark Johnson, who claims it is the World's most common random number, is responsible for scribbling this number onto the mask. A number of visitors have responded to us about the concept of 37 being the most random number. Here are some of their theories:
•37 degrees is the normal temperature of the human body on the Celsius scale.
•The Buddhist book "37 Bodhisattva Practices" outlines the steps for an aspiring bodhisattva.
•A number of interesting topics are raised in Tom Magliery's 37 Factoids Page.
•One of the "tricks" of some magicians is to ask the audience to pick a number between 1 and 100, and then ask people who picked the number 37 to raise their hands. This supposedly results in a disproportionate number of people with raised hands.
•Exploited in carnivals, the fact that given a choice of any number between 1 and 10, people will most often choose 3 or 7.
•Humans are lousy random-number generators and an unusually large number of them will pick 37 while a smaller, but still lopsided number of people will pick 73.
Although we are not sure of the accuracy of these theories, it does seem that quite a few people (in addition to Mark Johnson) believe that 37 is the World's most common random number.
Benford's law - Wikipedia
en.wikipedia.org › wiki › Benford's_law
Benford's law, also called the Newcomb–Benford law, the law of anomalous numbers, or the first-digit law, is an observation about the frequency distribution of leading digits in many real-life sets of numerical data. The law states that in many naturally occurring collections of numbers, the ... For example, in sets that obey the law, the number 1 appears as the leading ...
Benford's law, also called the Newcomb–Benford law, the law of anomalous numbers, or the first-digit law, is an observation about the frequency distribution of leading digits in many real-life sets of numerical data. The law states that in many naturally occurring collections of numbers, the leading significant digit is likely to be small.[1] For example, in sets that obey the law, the number 1 appears as the leading significant digit about 30% of the time, while 9 appears as the leading significant digit less than 5% of the time. If the digits were distributed uniformly, they would each occur about 11.1% of the time.[2] Benford's law also makes predictions about the distribution of second digits, third digits, digit combinations, and so on.
The graph to the right shows Benford's law for base 10. There is a generalization of the law to numbers expressed in other bases (for example, base 16), and also a generalization from leading 1 digit to leading n digits.[clarification needed]
It has been shown that this result applies to a wide variety of data sets, including electricity bills, street addresses, stock prices, house prices, population numbers, death rates, lengths of rivers, and physical and mathematical constants.[3] Like other general principles about natural data—for example the fact that many data sets are well approximated by a normal distribution—there are illustrative examples and explanations that cover many of the cases where Benford's law applies, though there are many other cases where Benford's law applies that resist a simple explanation.[1] It tends to be most accurate when values are distributed across multiple orders of magnitude, especially if the process generating the numbers is described by a power law (which are common in nature).
The law is named after physicist Frank Benford, who stated it in 1938 in a paper titled "The Law of Anomalous Numbers",[4] although it had been previously stated by Simon Newcomb in 1881.[5][6]
Statistics Workbook For Dummies with Online Practice
books.google.co.uk › books › isbn=1119547512
The combo 1, 2, 3, 4, 5, 6 seems like it could never happen, but the ... After all, with 50 numbers to choose from and 6 numbers to pick, you have ... The chances of this happening are quite small, but even if the probability is one in a million, you ... get results like three, four, five, six, or seven heads with a fairly high probability.
Deborah J. Rumsey - 2019 - ?Mathematics
NATO phonetic alphabet - Wikipedia
en.wikipedia.org › wiki › NATO_phonetic_alphabet
The 26 code words in the NATO phonetic alphabet are assigned to the 26 letters of the English alphabet in alphabetical order as follows: Alfa, Bravo, Charlie, Delta, Echo, Foxtrot, Golf, Hotel, India, Juliett, Kilo, Lima, Mike, November, Oscar, Papa, Quebec, Romeo, Sierra, Tango, Uniform, Victor, Whiskey, X-ray, Yankee ...
?International adoption · ?Usage · ?Pronunciation of code words · ?History
The NATO phonetic alphabet is the most widely used radiotelephone spelling alphabet. It is officially the International Radiotelephony Spelling Alphabet, and also commonly known as the ICAO phonetic alphabet, with a variation officially known as the ITU phonetic alphabet and figure code. The International Civil Aviation Organization (ICAO) assigned codewords acrophonically to the letters of the English alphabet, so that critical combinations of letters and numbers are most likely to be pronounced and understood by those who exchange voice messages by radio or telephone, regardless of language differences or the quality of the communication channel.[1] Such spelling alphabets are often called "phonetic alphabets", but they are unrelated to phonetic transcription systems such as the International Phonetic Alphabet.
The 26 code words in the NATO phonetic alphabet are assigned to the 26 letters of the English alphabet in alphabetical order as follows: Alfa, Bravo, Charlie, Delta, Echo, Foxtrot, Golf, Hotel, India, Juliett, Kilo, Lima, Mike, November, Oscar, Papa, Quebec, Romeo, Sierra, Tango, Uniform, Victor, Whiskey, X-ray, Yankee, Zulu.[1]
Strict adherence to the prescribed spelling words—including the apparently misspelled "Alfa" and "Juliett"—is required in order to avoid the problems of confusion that the spelling alphabet is designed to overcome. A 1955 NATO memo stated that:
It is known that [the ICAO spelling alphabet] has been prepared only after the most exhaustive tests on a scientific basis by several nations. One of the firmest conclusions reached was that it was not practical to make an isolated change to clear confusion between one pair of letters. To change one word involves reconsideration of the whole alphabet to ensure that the change proposed to clear one confusion does not itself introduce others.[2]
THE BULL OF MINOS
Leonard Cottrell 1953
Chapter VII
Page
90
THE QUEST CONTINUES
"OUT IN THE DARK BLUE SEA THERE LIES A LAND CALLED CRETE, A RICH AND LOVELY LAND,
WASHED BY THE WAVES ON EVERY SIDE, DENSELY PEOPLED AND BOASTING NINETY CITIES. . .
ONE OF THE NINETY TOWNS IS A GREAT CITY CALLED KNOSSOS, AND THERE FOR NINE YEARS,
KING MINOS RULED AND ENJOYED THE FRIENDSHIP OF ALMIGHTY ZEUS
SUN 9 9 SUN
EARTH 7 7 EARTH
MOON 3 3 MOON
JUPITER 99 99 JUPITER
THE HOLY NAME
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THE HOLY NAME |
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HOLY |
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NAME |
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THE HOLY NAME |
126 |
54 |
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1+5 |
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1+1 |
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1+2+6 |
5+4 |
1+8 |
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THE HOLY NAME |
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THE HOLY NAME |
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THE HOLY NAME |
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1+1 |
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THE HOLY NAME |
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THE |
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1+5 |
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HOLY |
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THE HOLY NAME |
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1+5 |
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1+2+6 |
5+4 |
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THE HOLY NAME |
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THE HOLY NAME |
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THE |
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HOLY |
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NAME |
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THE HOLY NAME |
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1+1 |
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11 |
THE HOLY NAME |
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T |
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3 |
THE |
33 |
15 |
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1+5 |
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1+6 |
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4 |
HOLY |
60 |
24 |
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NAME |
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11 |
THE HOLY NAME |
126 |
54 |
18 |
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1+5 |
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1+1 |
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1+2+6 |
5+4 |
1+8 |
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6 |
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2 |
THE HOLY NAME |
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
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11 |
THE HOLY NAME |
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T |
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2 |
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3 |
THE |
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15 |
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4 |
HOLY |
60 |
24 |
6 |
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NAME |
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15 |
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11 |
THE HOLY NAME |
126 |
54 |
18 |
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1+1 |
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THE HOLY NAME |
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3 |
THE |
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1+5 |
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1+6 |
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4 |
HOLY |
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NAME |
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11 |
THE HOLY NAME |
126 |
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1+5 |
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1+1 |
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1+2+6 |
5+4 |
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2 |
THE HOLY NAME |
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5 x 3 = 15
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 3 = 15
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9 |
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11 |
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15 |
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5+9 |
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1+2 |
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1+4+9 |
5+9 |
5+9 |
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1+0 |
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2+7 |
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1+4 |
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1+4 |
1+4 |
1+4 |
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
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9 |
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12 |
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12 |
3 |
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1 |
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21 |
3 |
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5 |
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13 |
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9 |
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14 |
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8 |
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5 |
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9 |
1 |
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4 |
4 |
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36 |
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99 |
45 |
36 |
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3+6 |
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9+9 |
4+5 |
3+6 |
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1+0 |
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1+8 |
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9 |
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9 |
9 |
9 |
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- |
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1+8 |
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9 |
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9 |
9 |
9 |
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- |
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11 |
THE HOLY WORD |
- |
- |
- |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
W |
= |
5 |
- |
4 |
WORD |
60 |
24 |
6 |
- |
- |
15 |
- |
11 |
THE HOLY WORD |
153 |
63 |
18 |
- |
- |
1+5 |
- |
1+1 |
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1+5+3 |
6+3 |
1+8 |
- |
- |
6 |
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2 |
THE HOLY WORD |
9 |
9 |
9 |
- |
- |
- |
- |
11 |
THE HOLY WORD |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
WORD |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
15 |
- |
11 |
THE HOLY WORD |
153 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
3 |
|
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
60 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
60 |
24 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
11 |
THE HOLY WORD |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
1+5 |
|
|
1+6 |
|
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
WORD |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
15 |
- |
11 |
THE HOLY WORD |
153 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+5 |
- |
1+1 |
|
1+5+3 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
2 |
THE HOLY WORD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
11 |
THE HOLY WORD |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
WORD |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
15 |
- |
11 |
THE HOLY WORD |
153 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
11 |
THE HOLY WORD |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
1+0 |
1+2 |
|
1+6 |
|
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
WORD |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
15 |
- |
11 |
THE HOLY WORD |
153 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+5 |
- |
1+1 |
|
1+5+3 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
2 |
THE HOLY WORD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
- |
- |
- |
- |
11 |
THE HOLY WORD |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
WORD |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
15 |
- |
11 |
THE HOLY WORD |
153 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
11 |
THE HOLY WORD |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
1+0 |
1+2 |
|
1+6 |
|
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
4 |
WORD |
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
15 |
- |
11 |
THE HOLY WORD |
153 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+5 |
- |
1+1 |
|
1+5+3 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
|
2 |
THE HOLY WORD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
4 |
|
28 |
19 |
|
2 |
|
35 |
8 |
|
4 |
|
37 |
19 |
|
7 |
|
90 |
45 |
|
2 |
|
28 |
10 |
|
6 |
|
37 |
28 |
|
2 |
|
35 |
8 |
|
4 |
|
37 |
19 |
|
7 |
|
90 |
45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
|
|
|
|
|
1+3 |
|
1+7 |
Reduce to Deduce |
1+6+2 |
8+1 |
2+7 |
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
17 |
|
162 |
81 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
- |
3 |
|
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
- |
6 |
|
33 |
27 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
- |
2 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
|
6 |
|
54 |
36 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
|
1+6 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+1 |
|
1+7 |
Reduce to Deduce |
1+6+2 |
8+1 |
8+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
17 |
|
162 |
81 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
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5 |
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6 |
|
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7 |
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8 |
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
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|
|
|
|
|
10 |
|
|
|
|
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|
|
|
|
|
11 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
|
|
|
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|
|
|
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|
15 |
|
|
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|
|
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16 |
|
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|
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
36 |
|
6 |
|
54 |
36 |
36 |
|
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|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
|
1+6 |
1+8 |
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|
|
Add to Reduce |
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
8+1 |
|
1+7 |
Reduce to Deduce |
1+6+2 |
8+1 |
8+1 |
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|
Essence of Number |
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|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
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|
|
|
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|
|
13 |
|
17 |
|
162 |
81 |
27 |
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6 |
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|
10 |
|
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1 |
1 |
|
20 |
2 |
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11 |
1 |
|
20 |
2 |
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7 |
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8 |
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|
14 |
|
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|
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|
|
|
|
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|
12 |
1 |
|
4 |
4 |
|
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|
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|
|
|
|
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|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
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|
|
9 |
1 |
|
5 |
5 |
|
|
|
|
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|
|
13 |
1 |
|
5 |
5 |
|
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|
4 |
1 |
|
15 |
6 |
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|
15 |
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2 |
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16 |
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5 |
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|
17 |
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|
|
|
|
|
|
|
|
36 |
|
6 |
|
54 |
36 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
|
1+6 |
1+8 |
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|
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|
|
|
|
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|
|
Add to Reduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8+1 |
|
1+7 |
Reduce to Deduce |
1+6+2 |
8+1 |
8+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
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|
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|
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|
|
APOLLO
13
THIRTEEN
"Houston, we have a problem " is a popular but erroneous quotation from the radio communications between the Apollo 13 astronaut John ("Jack") Swigert and the NASA Mission Control Center (" Houston ") during the Apollo 13 spaceflight, as the astronauts communicated their discovery of the explosion that crippled their spacecraft.
Houston, we have a problem - Wikipedia
en.wikipedia.org/wiki/Houston,_we_have_a_problem
Houston, we have a problem
From Wikipedia, the free encyclopedia
"Houston, we have a problem" is a popular but slightly erroneous quotation from the radio communications between the Apollo 13 astronauts Jack Swigert, Jim Lovell and the NASA Mission Control Center ("Houston") during the Apollo 13 spaceflight in 1970,[2] as the astronauts communicated their discovery of the explosion that crippled their spacecraft to mission control.
The words actually spoken, initially by Swigert, were "Okay, Houston, we've had a problem here". After being prompted to repeat the transmission by CAPCOM Jack R. Lousma, this time Lovell responded with "Uh, Houston, we've had a problem."[1]
Since then, the phrase "Houston, we have a problem" has become popular,[3] being used to account, informally, the emergence of an unforeseen problem,[4] often with a sense of ironic understatement.
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|
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|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
7 |
|
81 |
36 |
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+2 |
|
3+5 |
Add to Reduce |
4+2+8 |
1+7+6 |
4+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+2 |
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|